Showing posts with label 1850s. Show all posts
Showing posts with label 1850s. Show all posts

Vincent van Gogh (1853-1890)

Self-Portrait
with Straw Hat,
Paris,
Winter 1887–88.
Metropolitan
Museum of Art,
New York[c]

Vincent van Gogh (1853-1890)[a]


Vincent Willem van Gogh (Dutch: [ˈvɪnsɛnt ˈʋɪləɱ vɑŋ ˈɣɔχ]; 30 March 1853 – 29 July 1890) was a Dutch post-Impressionist painter whose work, notable for its rough beauty, emotional honesty and bold color, had a far-reaching influence on 20th-century art. After years of painful anxiety and frequent bouts of mental illness,[1][2] he died aged 37 from a gunshot wound, generally accepted to be self-inflicted (although no gun was ever found).[3][note 2] His work was then known to only a handful of people and appreciated by fewer still.


Van Gogh began to draw as a child, and he continued to draw throughout the years that led up to his decision to become an artist. He did not begin painting until his late twenties, completing many of his best-known works during the last two years of his life. In just over a decade, he produced more than 2,100 artworks, consisting of 860 oil paintings and more than 1,300 watercolors, drawings, sketches and prints. His work included self portraits, landscapes, still lifes, portraits and paintings of cypresses, wheat fields and sunflowers.


Van Gogh spent his early adulthood working for a firm of art dealers, traveling between The Hague, London and Paris, after which he taught for a time in England. One of his early aspirations was to become a pastor and from 1879 he worked as a missionary in a mining region in Belgium where he began to sketch people from the local community. In 1885, he painted his first major work The Potato Eaters. His palette at the time consisted mainly of somber earth tones and showed no sign of the vivid coloration that distinguished his later work. In March 1886, he moved to Paris and discovered the French Impressionists. Later, he moved to the south of France and was influenced by the strong sunlight he found there. His work grew brighter in color, and he developed the unique and highly recognizable style that became fully realized during his stay in Arles in 1888.


The extent to which his mental health affected his painting has been a subject of speculation since his death. Despite a widespread tendency to romanticize his ill health, modern critics see an artist deeply frustrated by the inactivity and incoherence brought about by his bouts of illness. According to art critic Robert Hughes, van Gogh's late works show an artist at the height of his ability, completely in control and "longing for concision and grace".[4]



Quotes·Quotations by Vincent van Gogh[b]


Appearance


¶ I often think that the night is more alive and more richly colored than the day.


@ One may have a blazing hearth in one's soul and yet no one ever comes to sit by it. Passersby see only a wisp of smoke rising from the chimney and continue on their way.


Others


@ If only we try to live sincerely, it will go well with us, even though we are certain to experience real sorrow, and great disappointments, and also will probably commit great faults and do wrong things, but it certainly is true, that it is better to be high-spirited, even though one makes more mistakes, than to be narrow-minded and all too prudent. It is good to love many things, for therein lies the true strength, and whosoever loves much performs much, and can accomplish much, and what is done in love, is well done. [The Letters of Vincent van Gogh to his Brother, 1872-1886 (1927) Constable & Co]


@ Poetry surrounds us everywhere, but putting it on paper is, alas, not so easy as looking at it. [As quoted in The Complete Letters of Vincent Van Gogh, Vol. 2 (1958) New York Graphic Society, p. 12]



Images


Works


Vincent van Gogh (1853-1890), Cows in the Meadow, August 1883, oil on canvas, 31.4 x 43.8 cm, Museo Soumaya, Mexico City, Mexico

Vincent van Gogh (1853–1890), Coal barges, August 1888, oil on canvas, h 71 x w 95 cm, Private collection

Vincent van Gogh, Quay with men unloading sand barges, August 1888, oil on canvas, h 55.1 x w 66.2 cm, Museum Folkwang, Essen, Germany


Footnotes


[1]^ The pronunciation of "Van Gogh" varies in both English and Dutch. Especially in British English it is /ˌvæn ˈɡɒx/ van-gokh or sometimes /ˌvæn ˈɡɒf/ van-gof. U.S. dictionaries list /ˌvæn ˈɡoʊ/ van-goh, with a silent gh, as the most common pronunciation. In the dialect of Holland, it is [ˈvɪnsɛnt fɑŋˈxɔx], with a voiceless V. Van Gogh grew up in Brabant (although his parents were not born there), and used Brabant dialect in his writing; it is therefore likely that he himself pronounced his name with a Brabant accent: [vɑɲˈʝɔç], with a voiced V and palatalized G and gh. In France, where much of his work was produced, it is [vɑ̃ ɡɔɡə]

[2]^ A biography published in 2011 contends that van Gogh did not kill himself. The authors claim that he was shot by two boys he knew, who had a "malfunctioning gun". See Vincent van Gogh's death. [|Gompertz, Will] (17 October 2011). "Van Gogh did not kill himself, authors claim". BBC News. Retrieved 17 October 2011.

[3]^ It has been suggested that being given the same name as his dead elder brother might have had a deep psychological impact on the young artist, and that elements of his art, such as the portrayal of pairs of male figures, can be traced back to this. See Lubin (1972), 82–4

[4]^ "...he would not eat meat, only a little morsel on Sundays, and then only after being urged by our landlady for a long time. Four potatoes with a suspicion of gravy and a mouthful of vegetables constituted his whole dinner"—from a letter to Frederik van Eeden, to help him with preparation for his article on Van Gogh in De Nieuwe Gids, Issue 1, December 1890. Quoted in Van Gogh: A Self-Portrait; Letters Revealing His Life as a Painter. W. H. Auden, New York Graphic Society, Greenwich, CT. 1961. 37–9



[a] http://en.wikipedia.org/wiki/Vincent_van_Gogh

[b] http://en.wikiquote.org/wiki/Vincent_van_Gogh

[c] http://en.wikipedia.org/wiki/File:Van_Gogh_Self-Portrait_with_Straw_Hat_1887-Metropolitan.jpg


Oscar Wilde (1854-1900)


Oscar Wilde (1854-1900)

Oscar Fingal O'Flahertie Wills Wilde (16 October 1854 – 30 November 1900) was an Irish writer and poet. After writing in different forms throughout the 1880s, he became one of London's most popular playwrights in the early 1890s. Today he is remembered for his epigrams, plays and the circumstances of his imprisonment, followed by his early death.

Wilde's parents were successful Dublin intellectuals. Their son became fluent in French and German early in life. At university Wilde read Greats; he proved himself to be an outstanding classicist, first at Dublin, then at Oxford. He became known for his involvement in the rising philosophy of aestheticism, led by two of his tutors, Walter Pater and John Ruskin. He also profoundly explored Roman Catholicism, to which he would later convert on his deathbed. After university, Wilde moved to London into fashionable cultural and social circles. As a spokesman for aestheticism, he tried his hand at various literary activities: he published a book of poems, lectured in the United States of America and Canada on the new "English Renaissance in Art", and then returned to London where he worked prolifically as a journalist. Known for his biting wit, flamboyant dress, and glittering conversation, Wilde had become one of the most well-known personalities of his day.

At the turn of the 1890s, he refined his ideas about the supremacy of art in a series of dialogues and essays, and incorporated themes of decadence, duplicity, and beauty into his only novel, The Picture of Dorian Gray (1890). The opportunity to construct aesthetic details precisely, and combine them with larger social themes, drew Wilde to write drama. He wrote Salome (1891) in French in Paris but it was refused a licence. Unperturbed, Wilde produced four society comedies in the early 1890s, which made him one of the most successful playwrights of late Victorian London.

At the height of his fame and success, whilst his masterpiece, The Importance of Being Earnest (1895), was still on stage in London, Wilde had the Marquess of Queensberry, the father of his lover, Lord Alfred Douglas, prosecuted for libel, a charge carrying a penalty of up to two years in prison. (Libel Act of 1843) The trial unearthed evidence that caused Wilde to drop his charges and led to his own arrest, tried for gross indecency with other men. After two more trials he was convicted and imprisoned for two years' hard labour. In prison he wrote De Profundis (written in 1897 & published in 1905), a long letter which discusses his spiritual journey through his trials, forming a dark counterpoint to his earlier philosophy of pleasure. Upon his release he left immediately for France, never to return to Ireland or Britain. There he wrote his last work, The Ballad of Reading Gaol (1898), a long poem commemorating the harsh rhythms of prison life. He died destitute in Paris at the age of forty-six.


Quotes·Quotations by Oscar Wilde

Animal

¶ The English country gentleman galloping after a fox--the unspeakable in full pursuit of the uneatable.

Appearance

¶ Fashion is a form of ugliness so intolerable that we have to alter it every six months.

Arts

¶ Paradoxically though it may seem, it is none the less true that life imitates art far more than art imitates life.

Beauty

¶ Beauty is a form of Genius--is higher, indeed, than Genius, as it needs no explanation. It is one of the great facts of the world, like sunlight, or springtime, or the reflection in the dark waters of that silver shell we call the moon. It cannot be questioned. It has divine right of sovereignty. It makes princes of those who have it. [The Picture of Dorian Gray (1890; revised 1891)]

¶ The only way to behave to a woman is to make love to her, if she is pretty, and to someone else if she is plain.

Children·Youth

¶ An inordinate passion for pleasure is the secret of remaining young.

¶ I am not young enough to know everything.

Experience

¶ Experience is the name everyone gives to their mistakes. [Mr. Dumby, Act III, Lady Windermere's Fan (1892)]

Finance·Money

¶ It is better to have a permanent income than to be fascinating.

Stars

¶ We are all in the gutter, but some of us are looking at the stars. [Lord Darlington, Act III, Lady Windermere's Fan (1892)]


http://en.wikipedia.org/wiki/Oscar_Wilde

Margaret Wolfe Hungerford (1855-1897)


Margaret Wolfe Hungerford (1855-1897)

Margaret Wolfe Hungerford, née Hamilton, (27 April 1855 – 24 January 1897), was an Irish novelist whose light romantic fiction was popular throughout the English-speaking world in the late 19th century.


Quotes·Quotation by Margaret Wolfe Hungerford

Beauty

¶ Beauty is in the eye of the beholder.


http://en.wikipedia.org/wiki/Margaret_Wolfe_Hungerford

Henri Bergson (1859-1941)


Henri Bergson (1859-1941)

Henri-Louis Bergson (French: [bɛʁksɔn] 18 October 1859 – 4 January 1941) was a major French philosopher, influential especially in the first half of the 20th century. Bergson convinced many thinkers that immediate experience and intuition are more significant than rationalism and science for understanding reality.

He was awarded the 1927 Nobel Prize in Literature "in recognition of his rich and vitalizing ideas and the brilliant skill with which they have been presented".[2] In 1930, France awarded him its highest honour, the Grand-Croix de la Legion d'honneur.


Quotes·Quotations by Henri Bergson

Universe

¶ [L]'universe […] est une machine à faire des dieux.
Translation: The universe is a machine for making gods.
[The Two Sources of Morality and Religion (1932). Notre Dame, IN: University of Notre Dame Press, 2002, p. 317.]


References

[1]^ Hancock, Curtis L. (May 1995). "The Influence of Plotinus on Berson's Critique of Empirical Science". In R. Baine Harris. Neoplatonism and Contemporary Thought. Congress of the International Society for Neoplatonic Studies held in May 1995 at Vanderbilt University 10. International Society for Neoplatonic Studies. Albany: State University of New York Press. p. 139ff Extra |pages= or |at= (help). ISBN 0-7914-5275 Check |isbn= value (help). "That the philosophy of Henri Bergson is significantly influenced by the doctrines of Plotinus is indicated by the many years Bergson devoted to teaching Plotinus and the many parallels in their respective philosophies. This influence has been discussed at some length by Bergson's contemporaries, such as Emile Bréhier and Rose-Marie Rossé-Bastide. [...]" |accessdate= requires |url= (help)
[2]^ "The Nobel prize in Literature". Retrieved 2010-11-15.


http://en.wikipedia.org/wiki/Henri_Bergson